The Room

Home Recording
We don’t have the luxury of a separate live room and control room and in the past recordings have been done all together ‘live’ in said one room. With a maximum of 8 recording tracks (focusrite saffire Pro 10/10) this has meant heavy compromises in terms of flexibility and to some degree quality of the recordings.

This time around we are trying a more traditional studio approach of recording separately. This now means we can have 7 tracks for the drums which will hopefully give us a better drum sound? Although we have all voiced reservations of how this method will affect the feel of the tracks with the lack of visual cues you get from a live recording, we are going to give it a try anyway.

The room is an ‘L’ shape with a sloping ceiling from 1m to 2.4m over the 5m width of the room and the length is about 7m. All in all quite small. I’ve already got my head around the fact that I’m not going to be able to get the kind of drum sound I have in my head from a room this size but I’m willing to experiment.

The back wall along the full length is block work and the ceiling is some kind of insulation board. there is a metal vent in the ceiling and the plan is to cover this over with maybe a duvet or something as the drum kit will unfortunately be positioned directly underneath.

With a carpeted floor and the other half of the room filled with junk from a house move its going to be fun finding out how things are gonna sound.

Lets Record this Shit!

lets start diy audio recording at home

Old riffs have been given new life and new beats have been chucked in the bin. Guitars have been re-strung and drums have been re-headed. The tracks have been honed to perfection through a hectic schedule of rehearsal, well 2 hrs once a week is a lot when you’ve got work and a family!

Lets fly to Chicago and record at Electrical Audio! – I say.

Nah were skint, lets just do it ourselves – Says everyone else.

OK lets record this shit!


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What the hell is this blog about!

I'm documenting the recording of my bands latest tracks. Its gonna take a while because everything we do tends to take ages. Besides, we're in no rush as there aren't loads of screaming fans waiting to hear it. I think one guy in Poland thought we sounded OK but that was a few years ago.

I'm going to try and put as much boring detail as I can as we go along so anyone who comes across this blog won't make the same mistakes, or if we're lucky, stumble across some interesting that works.

equipment list

Microphones

  • Oktava MK219 (Russian silver edition 1990 - not modded)
  • Unbranded Nady Ribbon Copy
  • JM 47 condenser (as part of a pack with VC3q)
  • Shure SM58
  • Samson C03 multi pattern Condenser
  • Audio Technica Pro25
  • Optima PZM
  • Pair of Electrovoice E408 dynamics

Preamps

  • Focusrite Pro10/10 Firewire
  • JM VC3q
  • M-Audio Buddy

DAW & Software

  • Intel P4 3.02 with 2gb ram
  • Tracktion
  • 2 x UAD-1 PCI Cards

more crap about maxvonbeek

I have never been in a band with enough money to go into a proper studio with a nice room and racks of expensive vintage gear. That's not to say that I haven't been in any professional studios, just that the ones I have been in were.......I don't know, not very good?

I couldn't tell you if an API board sounds better than a Neve or Neotek or if a Royer Ribbon has a smoother silkier top end than a cheapo Chinese budget condenser because I've never heard or used one.

Every piece of equipment/software I have ever bought has been to fit an application and the amount of money in my pocket at that particular moment in time.

I have owned only a handful of pieces of outboard gear over the years and pretty much now exclusively record & mix inside the box, a box which happens to be a rather archaic P4 PC running Windows XP.

I don't care what you think unless it is constructive.


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